Bob Dylan's Stealing of James Damiano's Songs
Oct 26, 2014 10:14:30 GMT 10
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Post by virtuefilms on Oct 26, 2014 10:14:30 GMT 10
Narrator Christine Longo
Bob Dylan Refuses to Return James Damiano's Songs
On June 16th 2009 the following letter was sent to Bob Dylan's Attorney Orin Snyder written by James Damiano's Attorney in the Bob Dylan Damiano Plagiarism suit "Robert Church" regarding boxes of James Damiano's songs produced to Bob Dylan during discovery.
There were approximately fifteen to twenty five boxes filled with anywhere from 200 to 400 finished and unfinished songs in each box (thirty five years of writing) that were never returned
Dear Mr. Snyder:
I have one other matter. Mr. Damiano informs me that Steven Kramer (James Damiano's lead attorney) had several boxes of songs delivered to Parcher & Hayes during the discovery phase of his case against Dylan. Mr. Kramer never made copies of the documents, since I am presuming he felt pressed to comply with an overdue discovery request. Mr. Damiano informs me that he has never had all the original songs returned to his possession, even though the case is over. If you don’t mind, please explain what you can recall about Mr. Damiano’s song production. Do you still have songs unaccounted for? Can they be returned?
Sincerely Robert Church
Since the law suit Dylan has admitted to plagiarizing a great number of his songs including "Blowin In The Wind", "Hard Rain", and "The Times They Are A Changin". In a L.A. Times interview Dylan stated
“Well you have to understand that I’m not a melodist. My songs are either based on old Protestant hymns or Carter Family songs.
What happens is, I’ll take a song and simply start playing it in my head. That’s the way I meditate.” “I wrote ‘Blowin’ in the Wind’ in 10 minutes, just put words to an old spiritual, probably something I learned from Carter Family records.
"The Times They Are A-Changing’ " is probably from an old Scottish folk Song.” "I'll be playing Bob Nolan's 'Tumbling Tumbleweeds,' for instance, in my head constantly, while I'm driving a car or talking to a person or sitting around or whatever.
People will think they are talking to me and I'm talking back, but I'm not. I'm listening to the song in my head. At a certain point, some of the words will change and I'll start writing a song.".......Bob Dylan
Joni Mitchell has sided with Damiano
FOLK LIES: Joni Mitchell Accuses Bob Dylan of Being A Plagiarist
by Jonny Whiteside
“Bob [Dylan] is not authentic at all. He’s a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I.” — Joni Mitchell, Los Angeles Times, April 22, 2010
Just type “Bob Dylan plagiarism” into your friendly search engine, and a plethora of questionable circumstances pop up, enrobing the singer almost as completely as his years of reflexive media fawning have.
Documented from his teenage start, when he submitted a hand written, thinly revised version of country star Hank Snow’s “Little Buddy” for publication as an original poem, to his 1963 pilferage of Irish poet Dominic Behan’s “Patriot Game”’s melody for the similarly slanted Dylan tune “With God on Our Side” to songwriter James Damiano’s ongoing multimillion dollar copyright infringement suit (alleging Dylan’s Grammy-nominated “Dignity” is nothing but an altered version of Damiano’s “Steel Guitars”) to the naked “Red Sails in the Sunset” melody heist for the song “Beyond The Horizon” on his Modern Times album, up through the recent Confessions of a Yakuza-Love & Theft plagiarism charges (Love & Theft? Calling Dr. Freud!), the Timrod controversy, even the numerous passages of Proust and Jack London that (re) appear in the text of Dylan’s autobiography, it’s a deep, dark thicket of thoroughly damning and apparently chronic bootlegging. Naturally, Dylan has said nothing publicly about any of these, but he already spent over three million dollars defending himself against one-time affiliate Damiano–the classic delay-to-destroy court room technique.
Katheryn Baker testified that Bob Dylan stated to her in a recorded interview that he (Bob Dylan) did not have enough songs that he wanted to put on an album.
This was the same time frame that people in Dylan's entourage were calling James Damiano for songs. All of these statements are judicially uncontested by Dylan. All of these statements were videotaped in depositions.
"He (Dylan) did not have enough songs that he wanted to put on an album"....Katheryn Baker.
Since auditioning for the legendary CBS Record producer John Hammond, Sr., who influenced the careers of music industry icons Charlie Christian, Billy Holiday, Bob Dylan, Pete Seger, Bruce Springsteen and Stevie Ray Vaughan , James has engaged in a half a billion dollar copyright infringement law suit with Bob Dylan.
As the curtain rises on the stage of deceit we learn that CBS / Sony international recording artist, Bob Dylan not only used songs and lyrics written by James Damiano but also solicited Mr. Damiano's materials for a period of over ten years and eleven months.
As per Judicial filings Bob Dylan's name is credited to the songs. One of those songs is nominated for a Grammy as the best rock song of the year. Ironically the title of that song is Dignity.