Animal Tales Illuminate the 'Aberdeen Bestiary'
Nov 17, 2016 23:22:48 GMT 10
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Post by theshee on Nov 17, 2016 23:22:48 GMT 10
A lavishly illustrated medieval book, full of gold leaf and finely painted images, the "Aberdeen Bestiary" had remained somewhat of a mystery.
Now, with new high-resolution images of each page of the 12th-century manuscript, scientists have found that it was likely seized from a monastic library by scouts of King Henry VIII during the dissolution of monasteries in the 1500s.
As such, the book was likely used as a tool for teaching rather than as a treasure for a royal elite, like one of the king's ancestors, the researchers said. "The book was used for teaching — many words have accents on them to indicate emphasis for reading out loud," lead researcher Jane Geddes, an art historian from the University of Aberdeen, told Live Science. "On one page, there is an area of dirty finger marks at the center top of the page. This would occur if you regularly turned the page upside down to show an audience."
Beastly tales
The book, which is considered an "illuminated" manuscript for its highly decorated pages, particularly those that gleam, or light up, with gold leaf, tells stories about animals as a way to illustrate moral beliefs, according to the University of Aberdeen. It was published in England around the year 1200 and first documented in 1542 in the Royal Library at Westminster Palace, according to the university.
The manuscript was bequeathed to the university's Marischal College in 1625 by Thomas Reid, former college regent and former Latin secretary to King James VI and I. Records suggest that Patrick Young, Reid's friend and son of the king's royal librarian, gave the book to Reid.
Now, Geddes and her colleagues have taken high-resolution digital images of the book and placed them online for the first time, revealing marks that had never been seen before.
"Some were visible to the naked eye, but digitization has revealed many more which had simply looked like imperfections in the parchment," Geddes said.
Tiny holes and notes
She found that many of the book's images had puncture marks around them, likely the result of a copying technique called "pouncing" that is used to transfer an image to another page. "Tiny prick holes are placed around several of the animals," Geddes said. "Blank sheets would be placed under these holes, and charcoal sprinkled over the top, as a simple form of transfer."
The technique generally damages the illustrations and gold leaf on the reverse of the page. "This shows that when it was produced, the need to make copies was more important than keeping the book pristine," she added.
She and her colleagues could also now see production details on the edges of the pages, features that would normally be cut off before the book was finished, Geddes said. These included marks to indicate where to rule the lines, tiny letters to indicate capitalization and notes on the colors to use, she said.
"We also had a closer look at the editing, which took place after the text was finished. There are quite a few corrections to words in the margins," she said, adding that these edits mainly showed up in a section of the book about birds.
That bird section, she said, is copied from another 12th-century book called the "Aviarium," which gives advice to Augustinian canons (an order of men in the Roman Catholic Church) on how to live a good life according to bird lore.
"Why is this section [of the book] so badly copied with many mistakes and omissions? Why is this the section with the special teaching image? I believe this section may provide a clue that the book was destined for a priory of Augustinian canons with novices who needed agreeable training," Geddes said.
Historians had debated whether the book was used by a group of common people or kept in a wealthy private library.
"Although the book ended up in the royal library of Henry VIII, he probably purloined it form a monastery at the Reformation. Its heavy use indicates that it belonged in a working and training establishment, not a rich private library," Geddes said.
A website created to showcase the newly enhanced book pages will allow readers to zoom in on minute details and "examine the precise brush strokes of the artist," Siobhán Convery, head of Special Collections at the university, said in a statement. link
The three scenes in this image, called The Pelican, show baby pelicans attacking their parents, who in turn kill the babies. Then, the mother pelican pierces her side and the resulting blood flows over the dead babies, who then return to life, according to the University of Aberdeen. "Possibly the idea of mother pouring sustenance over her babies comes from the birds' habit of regurgitation," according to the university.
Part of the translation reveals the morality aspect of this manuscript: " Thus after three days, it revives its young with its blood, as Christ saves us, whom he has redeemed with his own blood. In a moral sense, we can understand by the pelican not the righteous man, but anyone who distances himself far from carnal desire."
The illustration of the bat "is a fairly accurate ventral view of a bat whose wings are shown as a membrane stretching from its three fingers down to its toes and tail," according to the University of Aberdeen. Prick marks are visible and reveal a technique called "pouncing" was used to transfer the image to other pages.
In this illustration, a horseman, after stealing a cub, is being chased by a tiger. To trick the tiger, the horseman throws down a glass sphere. The tiger sees its own reflection, and thinking it is her cub, she stops to nurse the sphere. In the end, the tiger mother loses her cub and her revenge.
The glass sphere seems to be pained with tarnished silver, the University of Aberdeen noted. Evidence of pricking on the image suggests it was transferred to other sheets. "Tiny prick holes are placed around several of the animals," lead researcher Jane Geddes, an art historian from the University of Aberdeen, told Live Science. "Blank sheets would be placed under these holes, and charcoal sprinkled over the top, as a simple form of transfer."
In this illustration, three identical bees each zoom into their hives, made of coiled straw, in three orderly rows. "The design emphasises their collective labours and orderliness. The bees look like a combination of hand grenades and shuttlecocks. They should have a head, thorax and abdomen, and four wings," according to the University of Aberdeen.
Part of the translation of this tale reads: "Bees, apes, are so called either because they hold on to things with their feet, or because they are born without feet (the Latin word for 'foot' is pes). For afterwards they acquire both feet and wings. Expert in the task of making honey, they occupy the places assigned to them; they construct their dwelling-places with indescribable skill, and store away honey from a variety of flowers."
This blind mole has no eyes and the illustration showed signs of pouncing for transferring the image to another sheet. Part of the translation reads: "The mole is called talpa because it is condemned to darkness by its permanent blindness. For it lacks eyes, eyeless, is always digging in the ground and throwing out the soil, and feeds on the the roots of the plants which the Greeks call aphala, vetch," according to the University of Aberdeen.
This silver-colored dove illustration shows a "rather lifeless bird," notes the University of Aberdeen. Part of the translation of this animal tale reads: "From these wings spring feathers, that is, spiritual virtues. These feathers gleam with the brilliance of silver, since word of their renown has the sweet ring of silver to those who hear it," according to the University of Aberdeen.
Now, with new high-resolution images of each page of the 12th-century manuscript, scientists have found that it was likely seized from a monastic library by scouts of King Henry VIII during the dissolution of monasteries in the 1500s.
As such, the book was likely used as a tool for teaching rather than as a treasure for a royal elite, like one of the king's ancestors, the researchers said. "The book was used for teaching — many words have accents on them to indicate emphasis for reading out loud," lead researcher Jane Geddes, an art historian from the University of Aberdeen, told Live Science. "On one page, there is an area of dirty finger marks at the center top of the page. This would occur if you regularly turned the page upside down to show an audience."
Beastly tales
The book, which is considered an "illuminated" manuscript for its highly decorated pages, particularly those that gleam, or light up, with gold leaf, tells stories about animals as a way to illustrate moral beliefs, according to the University of Aberdeen. It was published in England around the year 1200 and first documented in 1542 in the Royal Library at Westminster Palace, according to the university.
The manuscript was bequeathed to the university's Marischal College in 1625 by Thomas Reid, former college regent and former Latin secretary to King James VI and I. Records suggest that Patrick Young, Reid's friend and son of the king's royal librarian, gave the book to Reid.
Now, Geddes and her colleagues have taken high-resolution digital images of the book and placed them online for the first time, revealing marks that had never been seen before.
"Some were visible to the naked eye, but digitization has revealed many more which had simply looked like imperfections in the parchment," Geddes said.
Tiny holes and notes
She found that many of the book's images had puncture marks around them, likely the result of a copying technique called "pouncing" that is used to transfer an image to another page. "Tiny prick holes are placed around several of the animals," Geddes said. "Blank sheets would be placed under these holes, and charcoal sprinkled over the top, as a simple form of transfer."
The technique generally damages the illustrations and gold leaf on the reverse of the page. "This shows that when it was produced, the need to make copies was more important than keeping the book pristine," she added.
She and her colleagues could also now see production details on the edges of the pages, features that would normally be cut off before the book was finished, Geddes said. These included marks to indicate where to rule the lines, tiny letters to indicate capitalization and notes on the colors to use, she said.
"We also had a closer look at the editing, which took place after the text was finished. There are quite a few corrections to words in the margins," she said, adding that these edits mainly showed up in a section of the book about birds.
That bird section, she said, is copied from another 12th-century book called the "Aviarium," which gives advice to Augustinian canons (an order of men in the Roman Catholic Church) on how to live a good life according to bird lore.
"Why is this section [of the book] so badly copied with many mistakes and omissions? Why is this the section with the special teaching image? I believe this section may provide a clue that the book was destined for a priory of Augustinian canons with novices who needed agreeable training," Geddes said.
Historians had debated whether the book was used by a group of common people or kept in a wealthy private library.
"Although the book ended up in the royal library of Henry VIII, he probably purloined it form a monastery at the Reformation. Its heavy use indicates that it belonged in a working and training establishment, not a rich private library," Geddes said.
A website created to showcase the newly enhanced book pages will allow readers to zoom in on minute details and "examine the precise brush strokes of the artist," Siobhán Convery, head of Special Collections at the university, said in a statement. link
The three scenes in this image, called The Pelican, show baby pelicans attacking their parents, who in turn kill the babies. Then, the mother pelican pierces her side and the resulting blood flows over the dead babies, who then return to life, according to the University of Aberdeen. "Possibly the idea of mother pouring sustenance over her babies comes from the birds' habit of regurgitation," according to the university.
Part of the translation reveals the morality aspect of this manuscript: " Thus after three days, it revives its young with its blood, as Christ saves us, whom he has redeemed with his own blood. In a moral sense, we can understand by the pelican not the righteous man, but anyone who distances himself far from carnal desire."
The illustration of the bat "is a fairly accurate ventral view of a bat whose wings are shown as a membrane stretching from its three fingers down to its toes and tail," according to the University of Aberdeen. Prick marks are visible and reveal a technique called "pouncing" was used to transfer the image to other pages.
In this illustration, a horseman, after stealing a cub, is being chased by a tiger. To trick the tiger, the horseman throws down a glass sphere. The tiger sees its own reflection, and thinking it is her cub, she stops to nurse the sphere. In the end, the tiger mother loses her cub and her revenge.
The glass sphere seems to be pained with tarnished silver, the University of Aberdeen noted. Evidence of pricking on the image suggests it was transferred to other sheets. "Tiny prick holes are placed around several of the animals," lead researcher Jane Geddes, an art historian from the University of Aberdeen, told Live Science. "Blank sheets would be placed under these holes, and charcoal sprinkled over the top, as a simple form of transfer."
In this illustration, three identical bees each zoom into their hives, made of coiled straw, in three orderly rows. "The design emphasises their collective labours and orderliness. The bees look like a combination of hand grenades and shuttlecocks. They should have a head, thorax and abdomen, and four wings," according to the University of Aberdeen.
Part of the translation of this tale reads: "Bees, apes, are so called either because they hold on to things with their feet, or because they are born without feet (the Latin word for 'foot' is pes). For afterwards they acquire both feet and wings. Expert in the task of making honey, they occupy the places assigned to them; they construct their dwelling-places with indescribable skill, and store away honey from a variety of flowers."
This blind mole has no eyes and the illustration showed signs of pouncing for transferring the image to another sheet. Part of the translation reads: "The mole is called talpa because it is condemned to darkness by its permanent blindness. For it lacks eyes, eyeless, is always digging in the ground and throwing out the soil, and feeds on the the roots of the plants which the Greeks call aphala, vetch," according to the University of Aberdeen.
This silver-colored dove illustration shows a "rather lifeless bird," notes the University of Aberdeen. Part of the translation of this animal tale reads: "From these wings spring feathers, that is, spiritual virtues. These feathers gleam with the brilliance of silver, since word of their renown has the sweet ring of silver to those who hear it," according to the University of Aberdeen.